October 18: Epistemological Aesthetics

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PRESENTATIONS: Logan, Charlotte   

READINGS/LISTENINGS

Explore the work of a few additional archival artists:

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SUPPLEMENTAL RESOURCES:

Sue Breakell, “Perspectives: Negotiating the ArchiveTate Papers (Spring 2008); Benjamin H.D. Buchloh, “Gerhard Richter’s ‘Atlas’: The Anomic Archive” October 88 (Spring 1999): 117-45 [Richter, Warburg, Höck, Rodchenko]; Anthony Downey, Ed., Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East (New York: I.B. Tauris, 2015) [Mariam Ghani, Emily Jacir, Walid Raad]; Okwui Enwezor, Archive Fever: Uses of the Document in Contemporary Art (Steidl/ICP, 2008) [Christian Boltanski, Tacita Dean, Stan Douglas, Hans-Peter Feldmann, Jef Geys, Zoe Leonard’s Fae Richard Photo Archive”, Gediminas and Nomeda Urbonas]; Guy Mannes-Abbott, “This is Tomorrow: On Emily Jacir’s Art of Assembling Radically Generative Archives,” In Anthony Downey, Ed., Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East (New York: I.B. Tauris, 2015): 109-27; National Archives of Australia, Visible Archive Series Browser; Nataša Petrešin-Bachelez, “Innovative Forms of Archives” Series, e-flux; Ingrid Schaffner & Matthias Winzen, Eds., Deep Storage: Collecting, Storing, and Archiving in Art (New York: Prestel, 1998) [Warhol’s Time Capsules, Arman, Douglas Blau, Jennifer Bolande, Christian Boltanski, David Bunn, Joseph Cornell, Hanne Darboven, Aby Warburg]; Sven Spieker, “1970-2000: Archive, Database, Photography” In The Big Archive: Art from Bureaucracy (Cambridge, MA: MIT Press 2009): 130-171 [Hans-Peter Feldman, Susan Hiller, Gerhard Richter, Walid Raad, Boris Mikhailov]; Domietta Torlasco, The Heretical Archive: Digital Memory at the End of Film (Minneapolis: University of Minnesota Press, 2013) [Monica Bonvicini, Pierre Huyghe, Agnès Varda, Marco Poloni, Chris Marker]; Mabel O. Wilson, “Collecting Publics: The Spatial Politics of Dorchester Projects” In Entry Points, The Vera List Center Field Guide on Art and Social Justice, Vol. 1, Ed. Carin Kuoni and Chelsea Haines (New York: Vera List Center, 2015): 230-9; Emily Wroczynski, “Walid Raad and the Atlas Group” Third Text 25:6 (November 2011): 763-773.

IMAGE: Atlas of Asia Art Archive; Ann Hamilton, corpus

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